Education / Photography
Photography, School of Design, Central Academy of Fine Arts
Photographic training established the starting point for thinking through image, viewpoint, body and space.
2008—ONGOING / PRACTICE TIMELINE
This timeline returns photography, objects, P4 Theatre, relational experiments, cinema and generative systems to one continuous trajectory. Entries with arrows open project pages.
Education / Photography
Photographic training established the starting point for thinking through image, viewpoint, body and space.
Photographic work
A CAFA graduation work, awarded an Outstanding Graduation Prize and collected by CAFA Art Museum. Landscape is broken into hundreds of partial viewpoints and recomposed as a structure of seeing.
Structure / Object
Landscape texture, folding and flow are translated into light objects, surfaces, frames and spatial forms—the bridge from photography toward live space.
Long-term system
Beginning in Beijing, theatre becomes a method for organizing non-standard sites, participants, action, learning and collective life.
Study / Exhibition context
Advanced study in media curation at China Academy of Art; work presented in the context of the 11th Shanghai Biennale.
Education / Fine Arts
Continued work in performance, installation, writing and media reflexivity in San Francisco.
Solo exhibition
Simpson Library, San Francisco, USA.
Exhibitions
CCA Commencement Show, SuperSet group exhibition and a two-person exhibition at CCA Hubbell Street Gallery.
Relational theatre
Private emotion, declaration, workshop and the city’s edge are organized into an open live situation.
Decentralized theatre
Eight makers and fifteen spectators enter a high-density cellular relation inside a 16-square-metre office.
Social theatre
Combat sport, immersive theatre and public participation meet inside a boxing gym as bodily narration and relational reorganization.
Meta-theatre
Reality format, documentary, live filming and audience response form a sample of contemporary intimacy.
Moving-image theatre
An approximately 156-minute film grown from the lived collective of P4 Theatre; semi-finalist at Boden International Film Festival.
Further study
Spatial narrative extends toward digital archives, museums and composite media systems.
Publication
Published in Humanities China, Issue 1, 2025, reflecting on P4 as a long-term system of learning, community, live situations and archives.
Post-cinema
Human Surrender Faction is reworked as sound, Logic sessions, generative prompts, short video, text and multimodal analysis.
Current work