2008—ONGOING / PRACTICE TIMELINE

Not an accumulation of credentials,but a method gradually moving outward.

This timeline returns photography, objects, P4 Theatre, relational experiments, cinema and generative systems to one continuous trajectory. Entries with arrows open project pages.

01

Education / Photography

Photography, School of Design, Central Academy of Fine Arts

Photographic training established the starting point for thinking through image, viewpoint, body and space.

02

Photographic work

Mountain Beyond Mountains

A CAFA graduation work, awarded an Outstanding Graduation Prize and collected by CAFA Art Museum. Landscape is broken into hundreds of partial viewpoints and recomposed as a structure of seeing.

03

Structure / Object

GEWU and Twelve Water Lamps

Landscape texture, folding and flow are translated into light objects, surfaces, frames and spatial forms—the bridge from photography toward live space.

04

Long-term system

P4 Theatre founded

Beginning in Beijing, theatre becomes a method for organizing non-standard sites, participants, action, learning and collective life.

05

Study / Exhibition context

Intermedia study and work in the context of the 11th Shanghai Biennale

Advanced study in media curation at China Academy of Art; work presented in the context of the 11th Shanghai Biennale.

06

Education / Fine Arts

MFA Fine Arts, California College of the Arts

Continued work in performance, installation, writing and media reflexivity in San Francisco.

07

Solo exhibition

fafalish library

Simpson Library, San Francisco, USA.

08

Exhibitions

philOsOphy / AsWeCan / SayNoMore

CCA Commencement Show, SuperSet group exhibition and a two-person exhibition at CCA Hubbell Street Gallery.

09

Relational theatre

Howler on the Rooftop

Private emotion, declaration, workshop and the city’s edge are organized into an open live situation.

10

Decentralized theatre

Iceberg

Eight makers and fifteen spectators enter a high-density cellular relation inside a 16-square-metre office.

11

Social theatre

Purple Action

Combat sport, immersive theatre and public participation meet inside a boxing gym as bodily narration and relational reorganization.

12

Meta-theatre

Love Theatre / Accusing the Love Centrists

Reality format, documentary, live filming and audience response form a sample of contemporary intimacy.

13

Moving-image theatre

Human Surrender Faction

An approximately 156-minute film grown from the lived collective of P4 Theatre; semi-finalist at Boden International Film Festival.

14

Further study

Advanced Program in Digital Museum, School of Architecture, CAFA

Spatial narrative extends toward digital archives, museums and composite media systems.

15

Publication

P4 Theatre: A Generative University, a Winding Labyrinth, a Hard Drive Inscribed with Life

Published in Humanities China, Issue 1, 2025, reflecting on P4 as a long-term system of learning, community, live situations and archives.

16

Post-cinema

HS4G sound library, explanatory shorts and frame-level research

Human Surrender Faction is reworked as sound, Logic sessions, generative prompts, short video, text and multimodal analysis.

Current work

Continuing post-cinematic sound systems, the archival expansion of Human Surrender Faction, and long-term translation among film, text and generative media.